Maybe it’s just me, but it seems way too many people are building websites based around “vintage” patterns without regard to copyrights and other niceties.
Too many crafters are simply assuming that the original copyright holder did not renew their copyright. Patterns published in the 1940s and 50s are not necessarily out of copyright. It all depends upon whether or not the original copyright holder filed for an extension.
Posting a disclaimer like, “As far as I know this pattern is out of copyright but if you know differently please let me know.” at least shows the website owner has considered the pattern may still be protected. Problem is that disclaimer offers zip, zero, nada protection for the site owner or anyone else who might wish to sell items made from that pattern. Having a disclaimer is not a free pass for copyright infringement. Site owners can still be forced to remove the infringing content or even be sued by the true copyright holder.
A recent submitter to Crafty Tips seems to have employed a hybrid approach where they are placing usage restrictions on patterns that are either fully in the public domain or might have been renewed. Normally I would have happily added their site as it does have a nice selection of different patterns. The whole maybe it’s still in copyright issue didn’t bug me as much as the strange attempt to restrict usage. Some of the vintage patterns are identified as “free for personal use” while others are identified as being free for both personal and commercial use.
Granted, had the site owner used her own picture or made a number of rewrites to a pattern truly in the public domain, they could claim some level of copyright on the work. The pictures look like they were originally published with the pattern and there is no indication that the site owner made any changes to the original pattern.
When I post vintage patterns on The Crafty Tipster like the vintage sweater shown in this article, I always give credit to the original designer (if known) and the original publication information. Technically, if a vintage pattern is truly in the public domain, such attribution is not required. I do it to both honor the original designer as well as to ensure that anyone outside of the US has the information needed to ensure that the pattern is also in the public domain in their own country or any country they may sell the finished item in.
Only if I include a picture of an item I made or if I have made a number of changes to the pattern itself, am I creating something new that I can copyright – even then I provide the original designer’s info. The collection of patterns as a whole can be copyrighted but an individual pattern that has not been changed remains in the public domain.
The vintage pattern site, for now, is lingering in my submission queue. Part of me wonders if I am simply being too picky. The pattern designer in me doesn’t like the attempt at adding usage restrictions to something the site owner does not own.
What are your thoughts? Do you care if someone posts a public domain, vintage pattern and claims some level of ownership? Do you think the original designer should always be credited regardless of copyright status?
I’ve been visiting more blogs in the past few weeks than I think I did all of last year. I don’t know if this is someone’s misguided “good idea” or some sort of coding mistake but how could anyone think it’s a good idea to not include a link at the bottom of their blog to “previous posts”?
I mean really, do they think it’s a good idea not to encourage their blog visitors to stick around? Do they somehow think older posts have less value? I really don’t get it.
It also seems the blogs ascribing to this design do not offer post categories either. The only navigation is a list of months and the number of posts made in each month. But, there’s the rub. Go to one of the months that has a decent amount of posts and there’s still only access to the newest 2-3 posts.
Why? Why would any blog owner use a template that does this? Is there some strategy I’m just not seeing? All I’m seeing is a blog owner who is being really foolish and failing to recognize the value of their previous posts. All I’m seeing is a blog owner practically shouting at their visitors, “Go Away! You’re not welcome here!”
A recommended video from one of my Twitter friends has a bit of age on it but is definitely timeless in it’s message and has got me to thinking about my own journey to find who I am and how creativity influences what I do. Speaking at a TED (Technology, Entertainment & Design) Conference in 2006, Sir Ken Robinson laments on how modern educational systems are virtually destroying our children’s creative talents.
In a time where children are being taught more about what to think instead of how to think, it would seem his comment, “We don’t grow into creativity. We grow out of it or rather we get educated out of it.” is even more profound.
I enjoy what I do. It’s sort of funny that to get where I am now I went through several turbulent times where I found having to reinvent myself was required just to remain employed. The very skills that my clients value are many of the areas where my former employers were frustrated with me. Just asking the question, “Why do we do it that way?” often led to looks of dismay and even suggestions that I mind my own business. Asking a client that same question can often lead to whole new avenues of possibilities. Should one day I find myself hiring my own employees that will be one of the things I hang on the wall, “Ask questions and if you have a better idea, please share it!”
I left college knowing my degree did not mean I knew it all but that I had a strong foundation which could be built upon once in a professional environment. Looking back, my major was chosen for the sole strategic purpose of getting a good job. Even my minor was chosen to pursue that end. That I liked working on computers and writing/communicating just made my choices more of a obvious choice. The music that I had always loved was relegated to an elective and later dropped as there seemed a systemic segregation between those in the arts and those taking academic subjects. Music is now a private passion rather than a vocation but it is a major aspect of who I am.
The irony is that all of these years later I find I was more attuned to what I liked doing than I realized.
Sure, it was a rush to be the one to swoop in and save the day by getting the computer system back online after a catastrophic failure. In an abstract way, it was like fixing a giant jigsaw puzzle that had been dumped off a table – most of the pieces were still in place but it was finding out which ones were missing that was the real challenge. But, then again, teaching someone how to use that same system gave me a much more long-lasting satisfaction.
As the computing systems I was an “expert” in became obsolete, I found myself having to come up with a whole new skill set and morph into someone else. As I learned how to run newer computing systems, I continued to feel like I was somehow in the wrong place. At the time, I think I blamed my internal conflict on the broken foot that left me on crutches for almost a year.
Perhaps, I didn’t recognize it for what it was, but looking back, I can almost be thankful for the series of layoffs that brought me to where I am today. (Not thankful for the broken foot that still causes untold problems but it appears to have had its own role to play in me finding my place.)
During one of those periods of unemployment I suffered through in the 90’s, I found the need to reinvent myself yet again. I reviewed what I liked on the various jobs I had held. I liked the creative bits! I liked the writing, I liked learning and I liked the teaching. And, I even liked when I had to “sell” projects and often the very job I held. I also liked the more creative programming work of building something new from nothing.
In a bit of serendipity, the same weekend I realized I was a writer hidden underneath my BA and MS in computing and decided to reinvent myself as a technical writer, a local company advertised for one.
While undergoing my own personal discovery, I landed a job where my bosses weren’t entirely sure what a “technical writer” did either. They admitted that someone in the “know” told them they needed one. How exciting that turned out to be!
The job turned into an amalgam of mostly self-assigned responsibilities. In learning how the new enterprise computing system worked, I learned more about the toy business and business in general than I could have ever hoped for. I got to create, I got to teach and I found myself becoming the one person who was finally succeeding in bringing everyone in the company together and building an excitement for a project that had only previously led to division.
Sadly for everyone, it was too late to save a once vibrant company. Thankfully for me, it was the beginning of the realization that way back in college I was on the trail of the perfect combination of professional activities to make a satisfying career for myself.
For me, my passion is the blending of the most creative aspects of computing and the construction of meaningful writing often used to sell something. Kinda ironic, that it was while working for a toy company that I would find where I belonged. Perhaps being surrounded by toys helped to remind me where my true creativity and joy lies.
Those periods of frantic job searches and abject fear of yet another layoff were all preparing me for who I am today. As I work with clients, there’s more than a bit of truth to my claim that I have either worked for or with a company like theirs or their target customers. It is so very exciting to rediscover with my clients the passion that led them to what they do and often renew that passion. “Why do you do it that way?” is but one of the many questions I ask that lead to new marketing ideas and on more than one occasion more product offerings for my clients.
Building websites and developing a sales message is so much more than what is book learned – it’s about finding the bravery to be creative and try something new. It’s about blending practical expertise with my imagination. It’s what I do! It’s who I am! And I love it!
I’ll end this bit of self-indulged, self-reflection with another quotation from Sir Ken Robinson, “If you’re not prepared to be wrong, you’ll never come up with anything original.” Perhaps in my case it could be changed a bit to “If you’re not prepared to honestly evaluate and perhaps even reinvent yourself, you might never discover your greatest talents.”
How did you find what you were meant to do? Or are you still looking for it?
BTW, I recommend watching the video. Sir Robinson will make you laugh, he’ll make you think and perhaps he might inspire you.
I can make that! I wrote that! My daughter wrote that, ain’t she smart?
It seems like an endless battle to fight the scammers, thieves and other no-good-knicks that STEAL from others.
Just when I thought I had gotten the content theft occurring on my Foods Not Safe for Pets article under control, I found yet another cretin posting the article in it’s entirety on Yahoo! Answers. And for good measure, she claimed her daughter who was attending veterinarian school provided the list – ah nice, a liar and a thief.
According to one of my new Twitter friends, in a recent Etsy feature on weddings, one of the “artisans” featured populated her shop with stolen photographs and created listings using them stating that they could make a copy of the designer dress in the image for some fee. Under mounting pressure from the Tweets, comments and other discussions; Etsy has apparently closed the offending shop.
Well, that’s one for the good guys. Now I’m off to see about yet another DMCA notice and updating that page to make it clear that people should stop posting my entire article on Yahoo!
A recent email conversation with a wonderful polymer clay artist, who specializes in making buttons, reminded me of something that I think many crafters fail to do. By our nature, crafters are a friendly bunch who like to help each other. But, how often have you found a conversation with a fellow crafter leading to you giving away the farm?
I had invited Tessa Ann of the Button Shop to participate on Crafty Tips and requested that she email me a crafting tip to include with her listing. Rightfully so, Tessa Ann questioned sharing secret techniques on how she makes her lovely buttons. I assured her that I in no way wanted her to divulge her true secrets and was looking for something she might tell someone new to working with polymer clay.
Her hesitation was smart and a good reminder that too many artisans practically give away the farm when they talk to other crafters about what they make.
Our conversations reminded me of an incident at a craft show. It could have been any show anywhere as I suspect this happens all the time. Two art photographers were talking about equipment and the conversation migrated to the pictures on display. The visiting photographer started naming off the locations where the photos were from. (We live in the mountains of North Carolina – a wonderfully enchanting place full of old farms, fields and waterfalls with seemingly limitless locations for landscape photographers.)
What had started as a friendly conversation between two fellow artists was cleverly turned into a fishing expedition to learn a competitor’s trade secrets. The visiting photographer started asking about those locations with which he was not familiar. Having been effectively smoozed by him, the booth owner began sharing her favorite “secret” spots.
Realizing what the visitor was doing, I interrupted the conversation to ask the booth owner if she always gave away her business secrets so freely. The smoozer interrupted saying he knew where most of her pictures were from and had taken more than a few photos in those locations himself. “Sure,” I replied “but you didn’t know where that one, that one and that one were taken” I said as I pointed to some of the seller’s most interesting shots. At that point, the smoozer sauntered off and the booth owner looked at me as if she had been hit by a brick.
Another artisan took a slightly different approach that had me laughing out loud at the utter ingeniousness of her approach. A metal smith offered a “free” tutorial on how she made one of her most popular items. I admit that the item looked like something that wouldn’t be all that difficult to make and questioned the price of her pre-made ones. It was a clear tutorial and was fully illustrated. It approached the entire process along the lines of all you need is a bit of skill, a bit of know-how and yeah, oh by the way, you will need this, this and this equipment. It became quickly apparent the entire tutorial was a clever marketing piece to show why she charged as much as she did for that little something as all that equipment was far from cheap, the skill required was significant and the work required facilities not available to most home crafters.
I think part of what makes meeting with other crafters so much fun is the sharing of new ideas and techniques. I’ve learned a great deal from other crafters and have shared quite a bit myself. I think for years the adage, “sure it look’s easy and you could do that but you won’t” was fairly true. With more and more people trying to make money with their crafts, “loose lips sink ships” might be a safer adage.
The smoozer photographer obviously knew what he was doing. He played on that community aspect of crafters and was turning sharing ideas about which lens to use into an inquisition that could have negatively impacted the booth owner’s future revenue. After all, she had exclusive permission from one of the property owners to go onto his property to shoot her pictures. She told the smoozer the name of the property owner and the location. Those wonderful photographs of hers that everyone was admiring for their uniqueness would not be so special if other photographers had access to the same location.
So, my question to you is how much do you share, when do you share or do you share at all? Do you play it by ear or are you Fort Knox and allow no access?
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